Original release series aren’t for everyone.
8 to 12% of the world’s population is dyslexic, and reading subtitles can be very tricky.
Here’s a typography created in partnership with the Puissance Dys association, which promises dyslexics a 100% accessible “original release” subtitled experience. A design compatible with the way a dyslexic person’s brain perceives letters: in black, with a white fill and a white outline to boot.
We’ve heard of the trinity of fonts recommended to facilitate sans-serif reading (Arial, Tahoma and Verdana), but we’re delighted with this unique and inclusive innovation, designed by Canal+ BETC : Dystitles.
Photo ©canal+/betc
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Who should bear the backpack of responsible consumption? Politicians, businesses, consumers? We are tempted to say all three – but it is certain that businesses can carry a heavier, more robust backpack…
“Without digital accessibility, we are, sooner or later, excluding France’s 58 million internet users.” These are the words of Romain Troche…
If in Europe, the subject of dysphagia is often taboo or relegated to nursing homes, in Japan, it is embraced under the concept of “Engay Food.”
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